ENGL 730: Contemporary British Literature
Fall, 2009; MWF 10:30 a.m. - 11:20 a.m.
1xbet online casino Description
This course 1xbet online casino be an introductory, but intensive, survey of representative contemporary British writers from about 1950 to the present. We 1xbet online casino focus on writers' responses to earlier traditions of realism and modernism, exploring the techniques of narrative fiction, non-fiction, drama, and poetry offered by their work; we 1xbet online casino also trace the themes that these authors raise as they both respond and contribute to the increasingly postmodern and postcolonial experience of British culture. Cultural, historical, and theoretical context 1xbet online casino be integrated into discussion by means of lecture and secondary readings and resources, allowing us to situate our close readings of the texts within the historical moment of their production and reception.
1xbet online casino Participation and Attendance: Class participation is, of course, required. To participate, you must complete the reading assigned for each class session, think carefully about what you have read, and come to class ready to share 1xbet online casino ideas. 1xbet online casino attendance is therefore important. You will not be penalized for 1xbet online casino first three absences; thereafter, 1xbet online casino final course grade will drop one grade (i.e., B+ to B) for each day missed. Excessive absences (six or more) may result in failure of the course. While I appreciate 1xbet online casino offering explanations for absences, the only way to excuse an absence is to provide me with an official letter from 1xbet online casino dean or an official notice of illness from the Health Center or 1xbet online casino doctor.
1xbet online casino participation grade includes 1xbet online casino contributions to our discussions in class (in large and small groups) and to our discussions on the online message board. I will expect at least one posting a week from each student to the online message board; the guidelines and instructions for using the message board appear below.1xbet online casino and Response 1xbet online casino : All students will write one shorter paper (5 pages in length); undergraduates will also write a longer paper (7-8 pages in length), while graduate students will also write a longer paper with secondary sources (10 pages in length), an essay review of four articles or a book-length study about one of our authors, and a one-page abstract for the longer paper. All papers will be on topics of 1xbet online casino choosing in connection with our assigned readings. Papers should follow the general rules of composition and be typed or word-processed with standard double-spacing, 1-inch margins, and either 11- or 12-point typeface. Title pages and cover sheets are unnecessary. Pages should be numbered, stapled together, proof-read, and spell-checked. Papers are due by the date and time on the syllabus; late papers will be penalized one grade (i.e.: A to B) for each day late. (Note: The University’s Honor Code obliges you to cite the source of any idea that is not 1xbet online casino own. Otherwise, you have plagiarized. If you do plagiarize, you will fail this course.)
You will also write five weekly response papers (2 pp in length) in response to our readings. Response papers are designed to ready you for class discussion and to explore ideas you could develop further in 1xbet online casino longer papers. They are due the day we discuss the material. In 1xbet online casino response paper, you should not repeat previous class discussions or provide a mere summary of the reading. Instead, 1xbet online casino response should begin to analyze the reading assigned for that class session, selecting a issue or theme or question you feel to be significant. (Please refer to the sample response paper distributed the first day of class.) You can choose when to complete 1xbet online casino five responses, with the following guidelines in mind: 1) you can only write a response for a day when we have reading due, 2) one (and only one) response must be for a critical essay or critical reading, 3) two responses must respond to novels, and 4) three responses should be completed before October 16th, with the first being due for everyone on Friday, August 28th. Responses will be graded on a 1-5 scale: 5=A, 4=B, 3=C, 2=D, 1=F. I do not accept late response papers.
An average posting should run about one or two paragraphs in length. In other words, 1xbet online casino postings do not need to be long; however, they need to be substantive: they must be long enough to convey clearly the problem you are taking up and 1xbet online casino point of view, connecting 1xbet online casino comment to others' comments whenever possible. I will offer models of successful comments early in the semester.
Conferences: I want you to succeed in this course, and I am happy to meet with you about 1xbet online casino work and 1xbet online casino progress. I encourage you to see me before papers are due, or if you have questions about material we discuss in class. Please feel free to stop by during office hours (M, W 9:00-10:00 a.m.), or contact me by phone or email to arrange a more convenient time to meet.
Note: If 1xbet online casino have any condition such as a physical or learning disability that will make it difficult for 1xbet online casino to carry out the work as I have outlined it or which will require academic accommodations, please notify me in the first two days of the course.
Graduate Students: The shorter paper will count for 10%, the essay review will count for 10%, and the longer paper and its abstract will count for 25% of 1xbet online casino final grade. The response papers will count for 20% of 1xbet online casino final grade. Class participation (20%) and a final exam (15%) complete the requirements.
[CP] = 1xbet online casino Pack; [X]=items distributed as xeroxes
August | M 24 | Introduction: England, c. 1950 |
"I know this is paradise" - Larkin, &1xbet online casino ;High Windows&1xbet online casino ; (1967) |
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W 26 | Ishiguro, The Remains of the Day (1988) (1-141); Background reading: Davies, &1xbet online casino ;From Imperial to Post-Imperial Britain&1xbet online casino ; (1-8) and Morley and Robins, &1xbet online casino ;Chronology&1xbet online casino ; (504-10) [CP] | |
F 28 | The Remains of the Day (143-245); Connor, 1xbet online casino "Outside In," The English Novel In History, 1950-1990 (83-89, 104-112), Shafer, &1xbet online casino ;Kazuo Ishiguro's The Remains of the Day&1xbet online casino ; (1157-174) [CP]; Response Paper #1 due (2 pp.) | |
M 30 | Osborne, Look Back in Anger (1956) (1-96) | |
September | W 2 | Look Back in Anger; critical 1xbet online casino on Osborne [CP]; Leading 1xbet online casino #1 |
W 4 | Selected poems: Larkin [CP] | |
M 7 | No 1xbet online casino -- Labour Day | |
W 9 | Selected poems: Larkin [CP] | |
F 11 | Sillitoe, Saturday Night and Sunday Morning (1958) (5-176) | |
M 14 | Saturday Night and Sunday Morning (177-219) | |
W 16 | Selected Poems: Raine; Harrison; Hughes [CP] | |
F 18 | Selected poems: Hughes [CP] | |
Outside, Looking In: Nation, Rebellion, Obsession |
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Su 20 | Evening viewing of &1xbet online casino ;The Prisoner&1xbet online casino ; | |
M 21 | Two episodes of &1xbet online casino ;The Prisoner&1xbet online casino ;(1967-68); critical readings on The Prisoner [CP] | |
T 22 | 1xbet online casino #1 due (5 pp.) to my mailbox in ECS 119 by 5 p.m. | |
W 23 | Selected poems: Adcock and Cope [CP] | |
F 25 | Phillips, 1xbet online casino A New World Order (2001); Selected poems: Soyinka, Walcott, Agard, Zephaniah, Kay, Alvi, Collins; Childs, &1xbet online casino ;Anti- and Post-Colonial Writing&1xbet online casino ; [CP] | |
M 28 | Lodge, Changing Places (1975) (7-151) | |
W 30 | Changing Places (153-251); Connor, from &1xbet online casino ;Conditions of England&1xbet online casino ; (44-50, 69-74); Davies, &1xbet online casino ;Britain, Europe, and Americanisation&1xbet online casino ; (103-109) [CP]; Leading 1xbet online casino #2 | |
October | F 2 | A Riot of One's Own: Punk and Protest, with guest speakers Phil Nel and Tim Dayton; Marcus, "Anarchy in U.K." (1980) [CP]; selected lyrics [X] |
M 5 | No 1xbet online casino -- Fall Break | |
W 7 | Hornby, 1xbet online casino Fever Pitch [CP]; Phillips, 1xbet online casino A New World Order [CP] | |
F 9 | Fielding, Bridget Jones's Diary (1997) (1-153); Connor, from &1xbet online casino ;The Novel in Contemporary History&1xbet online casino ; (13-27) [CP] | |
M 12 | Bridget Jones's Diary (157-271); readers' comments at Amazon.com; interview with Fielding; critical commentaries [CP]; Leading 1xbet online casino #3 | |
(Re)Writing the Past . . . |
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W 14 | Rhys, Wide Sargasso Sea (1966) (9-64) | |
F 16 | Wide Sargasso Sea (64-112) | |
M 19 | Wide Sargasso Sea; excerpts 1xbet online casino Bronte's Jane Eyre (119-132 ); excerpts from Rhys' letters & facsimile of mss. (135-147); and Rody, &1xbet online casino ;Burning Down the House...&1xbet online casino ; (217-225); Leading 1xbet online casino #4 | |
W 21 | Fowles, The French Lieutenant's Woman (1969) (1-103/Chps1-16) | |
F 23 | The French Lieutenant's Woman (104-195/Chps17-30) | |
M 26 | The French Lieutenant's Woman (196-279/Chps 31-47) | |
W 28 | The French Lieutenant's Woman (280-366/Chps 48-end); Michael, &1xbet online casino ;'Who is Sarah?': A Critique of The French Lieutenant's Woman's Feminism&1xbet online casino ; [CP] | |
R 29 | 1xbet sports due (3-4 pages) to my mailbox in ECS 119 by 5 p.m. | |
F 30 | Winterson, Sexing the Cherry (1989) (1-77) | |
November | M 2 | Sexing the Cherry (78-167);Winterson, 1xbet online casino Art Objects; interview, reviews of Sexing the Cherry [CP] |
W 4 | Sexing the Cherry; Winterson, from &1xbet online casino ;Reader, Writer, Words&1xbet online casino ; from Art Objects [X]; Wasserstrom, &1xbet online casino ;Are You Now or Have You Ever Been ... Postmodern?&1xbet online casino ;; Hutcheon, The Politics of Postmodernism (1-7, 47-54, 71-78); Doan, &1xbet online casino ;Sexing the Postmodern&1xbet online casino ; [CP] | |
F 6 | No 1xbet online casino -- work on prospectus for Paper #2 / view The Crying Game | |
M 9 | Churchill, Cloud 9 (1978) (1-92); critical reviews of Churchill [CP] | |
W 11 | Cloud 9; Jordan, The Crying Game (1992) | |
R 12 | Prospectus/Abstract for 1xbet online casino #2 due (1 page) to my mailbox in ECS 119 by 5 p.m. | |
F 13 | Jordan, The Crying Game; Jordan, &1xbet online casino ;Introduction to The Crying Game&1xbet online casino ;; Giles, from The Crying Game; Chumo, &1xbet online casino ;The Crying Game, Hitchcockian Romance, and the Quest for Identity&1xbet online casino ;; Daly, &1xbet online casino ;Post-Colonial Carnival (?): Neil Jordan's The Crying Game&1xbet online casino ; [CP for ENGL 801 / xerox]; Leading 1xbet online casino #5 | |
M 16 | Selected poems: Heaney [CP]; Childs, 1xbet online casino The Twentieth-Century in Poetry (182-189) [CP] | |
W 18 | Selected poems: Heaney [CP] | |
F 20 | Smith, White Teeth (4-152) | |
M 23 | White Teeth (153-339) | |
W 25 | No 1xbet online casino -- | |
F 27 | Thanksgiving Break | |
M 30 | Smith (343-448); reader comments and critical reviews/reading(s) on Smith [CP]; Leading 1xbet online casino #6 | |
. . . and Imagining the Future |
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December | W 2 | Rosoff, How I Live Now (2004); reviews of Rosoff [X] |
R 3 | 1xbet online casino #2 (and 1xbet bes) due to my mailbox in ECS 119 by 5 p.m. (graded 1xbet online casino returned by Friday, Dec 11) | |
F 4 | Stoppard, Arcadia (1993) (1-97); 1xbet online casino #2 (and 1xbet bes) due to my mailbox in ECS 119 by 5 p.m. (graded 1xbet online casino returned by Monday, Dec 14) |
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M 6 | Arcadia | |
W 8 | Adams, Hitchhiker's Guide to the Galaxy (1980); Leading 1xbet online casino #7 | |
F 10 | Hitchhiker's Guide to the Galaxy; Review for Final Exam | |
M 14 | Final Exam, 11:50 a.m. - 1:40 p.m. |
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