ENGL 362: British Survey 2

Fall, 2004; MWF 1:30 p.m. - 2:20 p.m.

Schedule of Classes | Papers | 1xbet online g | Bulletin Board

Professor Karin Westman
106 English/Counseling Services
Office: 532-2171; Office Hours: M, W 9-10 a.m. and by app't.
Email: westmank@ksu.edu

Required Texts
The Norton Anthology of English Literature, Vol. 2, 7th ed.
Stoppard, Arcadia
Class Pack I: Readings from The Norton Anthology of English Literature, Vol.1, 7th ed.
Class Pack II: Readings from Selected Authors
(Note: Class Packs are available from the A&S Copy Center in Eisenhower Hall.)


Course Description:

A survey of representative British authors since the late 17th century. We will consider their works in terms of form and the historical context of their cultural production, exploring the often contested relationship between life and art. Our goal is twofold: familiarity with a canon of British literature and further practice in literary analysis and interpretation. Success in this course depends upon careful reading and participation in our discussions.



Course Objectives:



Requirements and General Expectations:

Readings: You are expected to complete each reading assignment before coming to class. You are further expected to think carefully about what you read and to make notes in your book prior to each class meeting. Bring the appropriate book or class pack to class each day and additionally mark passages that we discuss; this process will help you understand, remember, and review.
Class Participation and Attendance: Although this class may be large, you will be asked to participate regularly in class discussions and in collaborative learning groups. Your attendance is therefore important. You will not be penalized for your first three absences; thereafter, further absences jeopardize your final course grade. Excessive unexcused absences (six or more) may result in failure of the course. While I appreciate your offering explanations for absences, the only way to excuse an absence is to provide me with an official letter from your dean or an official notice of illness from the Health Center or your doctor. If you are absent, it is your responsibility to find out from another class member any announcements or assignments.
Quizzes: Occasional short (10 minute) quizzes consisting of identifications and interpretive questions will help you improve your close reading skills and to evaluate your comprehension of the material. Quizzes are noted on the syllabus; I also reserve the right to administer further quizzes as necessary, or change a quiz into a take-home close reading response. Quizzes will be graded on a scale of 1 to 5 points: 5=A, 4=B, 3=C, 2=D, 1=F. At the end of the semester, I will average the results to determine your final quiz grade. (I will drop the lowest quiz grade before averaging.) Should you be absent on the day of a quiz, you will receive a zero, unless the absence is excused.
Papers: You will write two short papers. The papers are due at the time the class meets. Late papers will be penalized one full grade (i.e., B to C) for each day late. More information about these two papers follows the schedule of classes below. Note: The University's Honor Code obliges you to cite the source of any idea that is not your own. If you quote, paraphrase, or use another's ideas, you must give credit to the person whose ideas you are using. Otherwise, you have plagiarized. If you have any questions, please ask. If you do plagiarize, you will fail this course.
Electronic Bulletin Board: Beginning the first week of class, I'll establish an electronic bulletin board for our class. Each week, each student is required to post at least one paragraph-length comment about the materials we're studying in class. I will monitor these discussions and assess a grade (at the end of the semester) based on the thoughtfulness of your comments, their ability to foster discussion among your classmates, and their responsiveness both to our readings and to your classmates' comments in class and on the list. Your postings do not need to be long; however, they need to be substantive: they must be long enough to convey clearly the problem you are taking up and your point of view, connecting your comment to others' comments, as appropriate. I will offer models of helpful comments early in the semester. Your grade for these postings will become part of your class participation grade.
Examinations: You will have a midterm and a cumulative final exam. A missed exam counts as a zero; no make-up exams will be offered without a dean's excuse.
Conferences: There are no mandatory conferences for this course. I encourage you, however, to stop by during office hours, particularly before an assignment is due, or if you have any questions or concerns about the course or the readings. You can always reach me by email to make an appointment if my office hours are not convenient for you.
Grading:
Paper #1 10%
Paper #2 10%
Quizzes 15%
Class Participation 20%

In-class 10%

Postings 10%

Midterm Exam 20%
Final Exam 25%


Schedule of Classes (subject to change)

[Unless otherwise indicated by CP for class pack, readings are found in a required book.]

August W 18 Introduction: Condition of England in Life and Art, c.1700


The Restoration and the 18th Century (1660-1785)

F 20 &1xbet online sports betting ;The Restoration and the Eighteenth Century&1xbet online sports betting ; (CPI: 2045-70); Alexander Pope (CPI: 2505-8): &1xbet online sports betting ;An Essay on Criticism,&1xbet online sports betting ; Part 1 (CPI: 2509-13)

M 23 Pope, from &1xbet online sports betting ;An Essay on Man&1xbet online sports betting ; (CPI: 2554-62); Jonathan Swift (CPI: 2298-9), &1xbet online sports betting ;A Description of a City Shower&1xbet online sports betting ;(CPI: 2300-1) Quiz
W 25 &1xbet online sports betting ;Debating Women&1xbet online sports betting ; (CPI: 2584-85): Jonathan Swift, &1xbet online sports betting ;The Lady's Dressing Room&1xbet online sports betting ; (CPI: 2585-88); Lady Mary Wortley Montagu (CPI: 2579-80), &1xbet online sports betting ;The Reasons That Induced Dr. Swift to Write a Poem Called the Lady's Dressing Room&1xbet online sports betting ; (2588-90)
F 27 John Wilmot (CPI: 2162), &1xbet online sports betting ;The Disabled Debauchee&1xbet online sports betting ; (CPI: 2162-3) and &1xbet online sports betting ;The Imperfect Engagement&1xbet online sports betting ; (CPI: 2163-5); Aphra Behn (CPI: 2165-7), &1xbet online sports betting ;The Disappointment&1xbet online sports betting ; (CPI: 2167-70)

M 30 Restoration Drama: &1xbet online sports betting ;Drama and Theater in the Late Seventeenth Century &1xbet online sports betting ; (CPII: 266-70); from The London Stage (xliv-xlix); from The Public Image of the Actor (CPII: 24-5); Behn, from The Lucky Chance (CPII: 249-52, 259-68, 376-7); George Farquhar, from The Beaux’ Stratagem (CPII: 25-31, 90-3, 106-11, 126-31)
September W 1 Samuel Johnson (CPI: 2660-2), from A Dictionary of the English Language (CPI: 2719-25); &1xbet online sports betting ;Landscape and Power&1xbet online sports betting ; (CPII: 2857-58): Selections from Pope, Walpole, and Burke (CPII: 2872-82) Quiz
F 3 &1xbet online sports betting ;Landscape and Power,&1xbet online sports betting ; continued.

M 6 No Class -- Labor Day
W 8 &1xbet online sports betting ;The Romantic Period&1xbet online sports betting ; (1-23); William Wordsworth (219-21): &1xbet online sports betting ;A Slumber Did My Spirit Seal&1xbet online sports betting ; (254), &1xbet online sports betting ;Lucy Gray&1xbet online sports betting ; (254-5), &1xbet online sports betting ;I Wandered Lonely as a Cloud&1xbet online sports betting ; (284-5), &1xbet online sports betting ;Tintern Abbey&1xbet online sports betting ; (235-8), excerpts from &1xbet online sports betting ;Preface&1xbet online sports betting ; to Lyrical Ballads (238-51) Quiz
F 10 Wordsworth, continued.

M 13 Wordsworth, &1xbet online sports betting ;Ode: Intimations of Immortality&1xbet online sports betting ; (286-92), excerpts from The Prelude, Books I (303-8; 311-19), II (324-5), VII (348-51), XII (364-5, 369-71), XIII (375), and XIV (381-83)
W 15 Samuel Taylor Coleridge (416-18): &1xbet online sports betting ;The Eolian Harp,&1xbet online sports betting ; &1xbet online sports betting ;This Lime Tree Bower My Prison,&1xbet online sports betting ; &1xbet online sports betting ;The Rime of the Ancient Mariner,&1xbet online sports betting ; &1xbet online sports betting ;Kubla Khan&1xbet online sports betting ; (419-41), &1xbet online sports betting ;Frost at Midnight&1xbet online sports betting ; (457-8), &1xbet online sports betting ;Dejection: An Ode&1xbet online sports betting ; (459-462); excerpts from Biographia Literaria (467-8,474-89) Quiz
F 17 Coleridge, continued.

M 20 Mary Wollstonecraft, excerpts from Vindication of the Rights of Woman (163-192)
W 22 Percy Bysshe Shelley (698-701): &1xbet online sports betting ;Mont Blanc&1xbet online sports betting ; (720-23), &1xbet online sports betting ;Hymn to Intellectual Beauty&1xbet online sports betting ; (723-25), &1xbet online sports betting ;To a Skylark&1xbet online sports betting ; (765-67), and excerpts from A Defense of Poetry (789-802) Quiz
F 24 Mary Shelley (903-5), Frankenstein (905-1034) Quiz

M 27 Frankenstein, continued.
W 29 John Keats (823-26): &1xbet online sports betting ;On First Looking into Chapman's Homer,&1xbet online sports betting ; &1xbet online sports betting ;Sleep and Poetry,&1xbet online sports betting ; &1xbet online sports betting ;On Seeing the Elgin Marbles,&1xbet online sports betting ; from &1xbet online sports betting ;Endymion: A Poetic Romance,&1xbet online sports betting ; &1xbet online sports betting ;On Sitting Down to Read King Lear...,&1xbet online sports betting ; &1xbet online sports betting ;When I Have Fears...,&1xbet online sports betting ; &1xbet online sports betting ;To Homer&1xbet online sports betting ; (826-34)
October F 1 Keats, &1xbet online sports betting ;Ode to a Nightingale,&1xbet online sports betting ; &1xbet online sports betting ;Ode on a Grecian Urn,&1xbet online sports betting ; &1xbet online sports betting ;Ode on Melancholy&1xbet online sports betting ; (849-854), &1xbet online sports betting ;To Autumn&1xbet online sports betting ; (872-3), and excerpts from Keats' Letters (886-903); Paper #1 due in class.

M 4 Keats, continued.
W 6 Midterm Exam



The Victorian Age (1830-1901)

F 8 &1xbet online sports betting ;The Victorian Age&1xbet online sports betting ; (1043-65); &1xbet online sports betting ;The Rise and Fall of Empire&1xbet online sports betting ; (2017-18); Alfred, Lord Tennyson (1198-1201): &1xbet online sports betting ;The Kraken&1xbet online sports betting ; (1201-2), &1xbet online sports betting ;The Lady of Shalott,&1xbet online sports betting ; &1xbet online sports betting ;The Lotus-Eaters,&1xbet online sports betting ; &1xbet online sports betting ;Ulysses&1xbet online sports betting ; (1202-14), &1xbet online sports betting ;Locksley Hall&1xbet online sports betting ; (1219-25) Quiz

M 11 No Class -- Fall Break
W 13 Tennyson, continued.
F 15 Tennyson, excerpts from In Memoriam A. H. H. (1230-80); &1xbet online sports betting ;Evolution&1xbet online sports betting ; and excerpts from Darwin's Descent of Man (1679, 1686-90)

M 18 Robert Browning (1345-9): &1xbet online sports betting ;My Last Duchess&1xbet online sports betting ; (1352-3) and &1xbet online sports betting ;Caliban upon Sebetos&1xbet online sports betting ; (1402-9); &1xbet online sports betting ;Industrialism: Progress or Decline?&1xbet online sports betting ; (1696-7); Macaulay, from &1xbet online sports betting ;A Review of Southey's Colloquies&1xbet online sports betting ; (1697-1702); Dickens, from Hard Times (1711-2) Quiz
W 20 Matthew Arnold (1471-5): &1xbet online sports betting ;To Marguerite--Continued&1xbet online sports betting ; (1479-80), &1xbet online sports betting ;The Buried Life&1xbet online sports betting ; (1480-2), &1xbet online sports betting ;Dover Beach&1xbet online sports betting ; (1492-3); excerpts from &1xbet online sports betting ;The Function of Criticism at the Present Time&1xbet online sports betting ; (1514-15, 1526-28)
F 22 John Stuart Mill (1137-9): from The Subjection of Women (1155-65); &1xbet online sports betting ;The Women Question&1xbet online sports betting ; (1719-21) and excerpts from Ellis, &1xbet online sports betting ;The Women of England...,&1xbet online sports betting ; Patmore, &1xbet online sports betting ;The Angel in the House,&1xbet online sports betting ; and Besant, &1xbet online sports betting ;The Queen's Reign&1xbet online sports betting ; (1721-4, 1738-9)

M 25 Martineau, &1xbet online sports betting ;Autobiography,&1xbet online sports betting ; Mullock, &1xbet online sports betting ;A Woman's Thoughts...&1xbet online sports betting ;, and Nightingale, &1xbet online sports betting ;Cassandra&1xbet online sports betting ; (1725-8, 1732-7); Elizabeth Barrett Browning (1173-4): excerpts from &1xbet online sports betting ;Aurora Leigh&1xbet online sports betting ; (1180-94); Christina Rossetti (1583-84): &1xbet online sports betting ;In an Artist's Studio&1xbet online sports betting ; (1586) and &1xbet online sports betting ;Goblin Market&1xbet online sports betting ; (1589-1601) Quiz
W 27 Virginia Woolf (2141-3), A Room of One's Own (2153-2182)
F 29 Woolf, Room (2183-2214) Quiz

November M 1 &1xbet online sports betting ;The Nineties&1xbet online sports betting ; (1740-1); Oscar Wilde (1747-9): from &1xbet online sports betting ;The Critic as Artist&1xbet online sports betting ; (1752-60) and The Importance of Being Earnest (1761-1805)
W 3 Wilde, continued.
F 5 &1xbet online sports betting ;The Twentieth Century&1xbet online sports betting ; (1897-1915); &1xbet online sports betting ;The Rise and Fall of Empire&1xbet online sports betting ; (2017-18); Joseph Conrad (1952-3): &1xbet online sports betting ;Preface to The Nigger of the Narcissus&1xbet online sports betting ; (1954-6) and Heart of Darkness (1957-2017)

M 8 Conrad, continued; Chinua Achebe (2616-7), &1xbet online sports betting ;An Image of Africa: Conrad's Heart of Darkness&1xbet online sports betting ; (2035-40) Quiz



The Twentieth Century

W 10 Thomas Hardy (1916-7), &1xbet online sports betting ;Hap&1xbet online sports betting ; (1934), &1xbet online sports betting ;Neutral Tones&1xbet online sports betting ; (1935-6); &1xbet online sports betting ;The Darkling Thrush&1xbet online sports betting ; (1937-8); &1xbet online sports betting ;The Convergence of the Twain&1xbet online sports betting ; (1945-6); &1xbet online sports betting ;Under the Waterfall&1xbet online sports betting ; (1947-8); and &1xbet online sports betting ;He Never Expected Much&1xbet online sports betting ; (1951-2)
F 12 No Class – Read ahead.

M 15 &1xbet online sports betting ;Voices from World War I&1xbet online sports betting ; (2048-9): Rupert Brooke (2049-50): &1xbet online sports betting ;The Soldier&1xbet online sports betting ; (2050); Siegfried Sassoon (2054-5): &1xbet online sports betting ;They&1xbet online sports betting ; (2055), &1xbet online sports betting ;The Rear-Guard&1xbet online sports betting ; (2056), &1xbet online sports betting ;Glory of Women&1xbet online sports betting ; (2057), and &1xbet online sports betting ;On Passing the New Menin Gate&1xbet online sports betting ; (2057-8); Wilfred Owen (2066), &1xbet online sports betting ;Dulce Et Decorum Est&1xbet online sports betting ; (2069-70)
W 17 W.B. Yeats (2085-8): &1xbet online sports betting ;Adam's Curse&1xbet online sports betting ; (2097-8), &1xbet online sports betting ;Easter 1916&1xbet online sports betting ; (2104-6), &1xbet online sports betting ;The Second Coming&1xbet online sports betting ; (2106-7), &1xbet online sports betting ;Sailing to Byzantium&1xbet online sports betting ; (2109-10); &1xbet online sports betting ;The Circus Animals' Desertion&1xbet online sports betting ; (2120) Quiz -- cancelled
F 19 T.S. Eliot (2360-3), &1xbet online sports betting ;The Waste Land&1xbet online sports betting ; (2368-83); &1xbet online sports betting ;Tradition and the Individual Talent&1xbet online sports betting ; (2170-6); Paper #2 due in class.

M 22 Eliot, continued.
W 24 No Class --
F 26 Thanksgiving Break

M 29 Virginia Woolf, &1xbet online sports betting ;Kew Gardens&1xbet online sports betting ; (CPII) and &1xbet online sports betting ;Modern Fiction&1xbet online sports betting ; (2148-53); Quiz
December W 1 Philip Larkin (2564-5): &1xbet online sports betting ;Church Going&1xbet online sports betting ; (2565-6), &1xbet online sports betting ;Talking in Bed&1xbet online sports betting ; (2567), &1xbet online sports betting ;Sad Steps&1xbet online sports betting ; (2569), and &1xbet online sports betting ;Aubaude&1xbet online sports betting ; (2570-71)
F 3 Seamus Heaney (2818-9): &1xbet online sports betting ;Digging&1xbet online sports betting ; (2819-20) and excerpts from &1xbet online sports betting ;Station Island&1xbet online sports betting ; (2825-7); Derek Walcott (2580): &1xbet online sports betting ;Midsummer&1xbet online sports betting ; (2584-5); and Wole Soyinka, &1xbet online sports betting ;Telephone Conversation&1xbet online sports betting ; (xerox)

M 6 Tom Stoppard (2785-6), Arcadia (1-97)
W 8 Stoppard, continued
F 10 Review for Final Exam.

M 13 Final Exam: 11:50 a.m. -1:40 p.m.

Guidelines for Papers

Paper 1 | Paper 2
General Instructions
Papers should follow the general rules of composition and be typed or word-processed with standard double-spacing, 1-inch margins, and either 10- or 12-point typeface. Title pages and covers are unnecessary. Pages should be numbered, stapled together, and spell-checked. Please follow the M.L.A. style for quotations. Errors in grammar and punctuation will be marked and will be significant factors in the grading of the paper if the mistakes are so numerous or egregious as to distract from the argument. Papers are due at the time the class meets; late papers will be penalized one grade (i.e., B to C) for each day late.
Paper #1 (Due Friday, October 1st; 3-4 pages in length)
Identify and discuss whatever patterns of imagery you find in one of Keats' odes on the syllabus: &1xbet online sports betting ;Ode to a Nightingale,&1xbet online sports betting ; &1xbet online sports betting ;Ode on a Grecian Urn,&1xbet online sports betting ; &1xbet online sports betting ;Ode on Melancholy&1xbet online sports betting ; (849-54), or &1xbet online sports betting ;To Autumn&1xbet online sports betting ; (872-3). As preparation for your paper, make a list of the poem's images, and identify any patterns that might emerge from that list. Then, decide how those patterns of images develop the poem's theme(s). What are some of the themes in the poem? How does the poem's imagery tell us about the theme(s)? Your thesis should answer these two questions, and the pattern(s) you uncover should help you answer them.
This paper should be in standard essay form. You should include a very short introduction that tells me the pattern(s) of imagery and the imagery's bearing on the poem's theme(s) - that is, the thesis of your paper. The rest of your paper will support this interpretation by supplying the details of your analysis.
Paper #2 (Due Friday, November 19th; 4-5 pages in length)
Choose one of the following topics for your paper on Part I of Eliot's &1xbet online sports betting ;The Waste Land&1xbet online sports betting ; (2369-72). As for Paper #1, this paper should be in standard essay form. You should include a very short introduction that tells me the thesis of your paper in response to one of the topics below; the rest of your paper will support this interpretation by supplying the details of your analysis.
1. Use the poem's title (&1xbet online sports betting ;The Waste Land&1xbet online sports betting ;), the epigraph (translated in your footnotes), and the section title (&1xbet online sports betting ;The Burial of the Dead&1xbet online sports betting ;) as a way into a discussion about Part I of Eliot's poem. How do each of these &1xbet online sports betting ;introductions&1xbet online sports betting ; elucidate or connect to the narrative which follows in Part I? Be sure to refer to specific lines and images in your discussion.
or
2. In footnote #4 on p.2371, Eliot tells the reader that he &1xbet online sports betting ;associate[s], quite arbitrarily,&1xbet online sports betting ; an image from a tarot card with the mythical image of the Fisher King. Consider Eliot's choice of the word &1xbet online sports betting ;arbitrarily&1xbet online sports betting ;: What might Eliot's comment tell us about the way in which the poem is and will be constructed? Do the &1xbet online sports betting ;I&1xbet online sports betting ; and &1xbet online sports betting ;we&1xbet online sports betting ; of the poem &1xbet online sports betting ;associate, quite arbitrarily&1xbet online sports betting ; as well? Can we, as readers, begin to detect a pattern to these &1xbet online sports betting ;arbitrary&1xbet online sports betting ; associations? Be sure to refer to specific lines and images in your discussion.