ENGL 825:
The Body and Contemporary British Fiction
Fall, 2003; W, 7-9:20 p.m.

Schedule of Classes | 1xbet best cas | Bulletin Board

1xbet online casino Westen,Oct 22,Rushdie,

Professor Karin Westman
108 Denison Hall
Office: 532-2171; Office Hours: M, 1-3 p.m. and by app't.
Email: westmank@ksu.edu

Required Texts
Martin Amis, Time's Arrow (1991) (Vintage)
Pat Barker, Regeneration (1991) (Plume)
A.S. Byatt, Babel Tower (1996) (Vintage International)
Angela Carter, Nights at the Circus (1984) (Viking)
Ian McEwan, Atonement (2001) (Anchor)
Philip Pullman, &1xbet online casino ;His Dark Materials&1xbet online casino ; Trilogy: The Golden Compass (1995), The Subtle Knife (1997), The
Amber Spyglass (2000) (Knopf, published Sept 2002)
Arundhati Roy, The God of Small Things (1997) (HarperCollins)
Salman Rushdie, Midnight's Children (1981) (Penguin)
Zadie Smith, White Teeth (2000) (Knopf)
1xbet online casino Pack (selected critical essays, interviews, reviews; will be available at A&S Copy Center in Eisenhower Hall)
Course Description and Objectives
In this seminar, we will explore the body in history as represented in a range of contemporary British novels. Our emphasis will fall more towards fiction than critical theory, but our secondary readings will prompt theoretically informed discussions about the authors and their novels. Our objectives are as follows:
Requirements and General Expectations
1xbet online casino Participation and Attendance: 1xbet online casino participation is, of course, required. To participate, you must complete the reading assigned for each 1xbet online casino session, think carefully about what you have read, and be ready to share your ideas, in 1xbet online casino and online. Excessive absences from our weekly meeting (two or more) may result in failure of the course.
Leading 1xbet online casino Discussion: Seminar participants will sign up individually or in pairs to lead 1xbet online casino discussion for one of our 1xbet online casino sessions, usually for the first half of the session. (A sign-up sheet will be available at our second 1xbet online casino meeting.) Questions and topics for discussion should highlight issues or themes or queries you think we should address. Other critical commentaries or historical context can be introduced, too, to help us explore the reading assigned for that day. Feel free to use this opportunity to your advantage, as you look ahead to the final paper! Seminar participants should contact me in advance to confirm the focus they will take when leading discussion, so we can coordinate our plans.
Electronic Bulletin Board: To offer another venue for discussion, we’ll be using an electronic bulletin board. Each student should post at least one a week to the bulletin board, responding to an existing thread of the conversation or initiating another; weekly postings will count towards your 1xbet online casino participation grade. The weekly bulletin board will run from Friday to Thursday, to encourage you to post right after as well as right before our weekly 1xbet online casino discussions, but I encourage you to contribute your ideas throughout the week and to check the board for others' postings. I'll monitor these conversations, and will probably participate, but I see the bulletin board primarily as a way for you to raise issues we haven't addressed -- or addressed fully or to your satisfaction -- during our regular 1xbet online casino meetings. Though extra postings to the bulletin board will not automatically replace participation in our 1xbet online casino discussions, regular contributions above and beyond your weekly posting can certainly improve your 1xbet online casino participation grade.
Critical Writing: During the semester, you will be doing different kinds of critical writing: informal postings to the bulletin board, more formal response papers, and an essay review, all of which will lead towards your final paper: a 20-25 pp essay which contributes to the current critical conversation about contemporary British fiction.

Response papers, your essay review, and your final paper should follow the general rules of composition and be typed or word-processed with standard double-spacing, 1-inch margins, and either 10- or 12-point typeface. Title pages and cover sheets are unnecessary. Pages should be numbered, stapled together, spell-checked, and use the appropriate MLA citation format. These papers are due by the date and time on the syllabus; late papers will be penalized one grade (i.e.: A to B) for each day late.

Response Papers: Response papers are designed to ready you for 1xbet online casino discussion and to explore ideas you could develop further in your final paper. In your response paper, you should not repeat previous 1xbet online casino discussions or provide a mere summary of the reading. Instead, your response should begin to analyze the primary and secondary reading assigned for that 1xbet online casino session, selecting an issue or theme or question you feel to be significant. During the semester, you will write five response papers (2 pp in length) in response to our readings. Everyone will write a response paper for Regeneration, our first novel; for the remaining four response papers, you may choose which four novels you would like to discuss. Response papers are due at the start of 1xbet online casino on the day we begin our discussion of the reading. Responses will be graded on a 1-5 scale: 5=A, 4=B, 3=C, 2=D, 1=F. I do not accept late response papers.

We'll discuss the essay review (4-5 pp.) and the final paper (20-25 pp.) in the weeks ahead.
Online, Video, and Reserve Resources: During the semester, I will refer you to resources available online or on video to complement our readings and discussions. A &1xbet online casino ;Web Resources&1xbet online casino ; link from our course homepage will take you to a page of links devoted to our authors, their work, and the times in which they lived. Several books are on reserve at Hale Library as well.
Grading:
The response papers (20%), the essay review (10%), and 1xbet online casino participation (20%) will count for half of your grade. The final writing project -- a 20-25 pp. essay (50%) -- completes the requirements.

Schedule of Classes

(subject to change)

August 20 Introduction: Body / Contemporary British / Fiction
Brannigan, &1xbet online casino ;Conclusion,&1xbet online casino ; Orwell to the Present: Literature in England, 1945-2000

27
Barker, Regeneration
Selected reviews of Regeneration; Whitehead, &1xbet online casino ;Open to Suggestion: Hypnosis and History in Pat Barker's Regeneration&1xbet online casino ;; Hutcheon, from The Politics of Postmodernism (1-7, 47-54, 71-78); Gasiorek, from Post-War British Fiction: Realism and After (1-22, 179-195) [available for xerox in DE 122]
Response Paper #1 Due (2 pages) on Barker's Regeneration
September 3 McEwan, Atonement
Class Pack: &1xbet online casino ;Introduction&1xbet online casino ; (6-7), &1xbet online casino ;Interview with Ian McEwan&1xbet online casino ; (10-23), and &1xbet online casino ;Part Four&1xbet online casino ; (160-163) from Ian McEwan: The Essential Guide; selected reviews of Atonement
10
Amis, Time's Arrow
1xbet online casino Pack: Selected reviews of Time's Arrow; &1xbet online casino ;Interview with Martin Amis&1xbet online casino ; (12-26) from Martin Amis: The Essential Guide; Menke, &1xbet online casino ;Narrative Reversals and the Thermodynamics of History in Martin Amis's Time's Arrow&1xbet online casino ;; Adorno, &1xbet online casino ;Notes on Kafka&1xbet online casino ; (245-271)
17
Winterson, The Passion
Class Pack: Winterson, from &1xbet online casino ;Reader, Writer, Words&1xbet online casino ; (26-27, 40-44); &1xbet online casino ;Interview with Jeanette Winterson&1xbet online casino ; (11-29) from Jeanette Winterson: The Essential Guide; Palmer, &1xbet online casino ;The Passion: Storytelling, Fantasy, Desire&1xbet online casino ; (103-116); Humphries, &1xbet online casino ;Listening for the Author's Voice: 'Un-Sexing' the Wintersonian Oeuvre&1xbet online casino ; (3-16) and Bengtson, &1xbet online casino ;The Vast, Unmappable Cities of the Interior: Place and Passion in The Passion&1xbet online casino ; (17-26) [available for xerox in DE 122].
24
Carter, Nights at the Circus
1xbet online casino Pack: Robinson, from Engendering the Subject: Gender and Self-Representation in Contemporary Women's Fiction (116-132); Eaglestone, &1xbet online casino ;The Fiction of Angela Carter: The Woman Who Loved to Tell Stories&1xbet online casino ; (194-209); Michael, &1xbet online casino ;Angela Carter's Nights at the Circus: An Engaged Feminism via Subversive Postmodern Strategies&1xbet online casino ; (206-227)
October
1
Byatt, Babel Tower
1xbet online casino Pack: Selected reviews of Babel Tower; Alfer, &1xbet online casino ;Realism and Its Discontents: The Virgin in the Garden and Still Life&1xbet online casino ; (47-59); Noble, &1xbet online casino ;A Tower of Tongues: Babel Tower and the Art of Memory&1xbet online casino ; (61-74)
8
Byatt, continued.
15
Rushdie, Midnight's Children
Class Pack: Rushdie, &1xbet online casino ;Imaginary Homelands&1xbet online casino ; (9-21), &1xbet online casino ;'Errata': or, Unreliable Narration in Midnight's Children&1xbet online casino ; (22-25), and &1xbet online casino ;'Commonwealth Literature' Does Not Exist&1xbet online casino ; (61-70); Wormald, &1xbet online casino ;The Uses of Impurity: Fiction and Fundamentalism in Salman Rushdie and Jeanette Winterson&1xbet online casino ; (182-201); two or three additional critical essays on Rushdie, TBA.
22
Rushdie, continued.
F 24
1xbet online (4-5 pp.) due to my mailbox in DE 122 by 5 p.m.
29
Roy, The God of Small Things
1xbet online casino Pack: Selected reviews of The God of Small Things; Roy's address to the Dalit Sahitya Akademi; from Sharma and Talwar, Arundhati Roy's The God of Small Things: Critique and Commentary (vii-viii, 9-17, 27-31, 42-54, 96-103); Bose, &1xbet online casino ;In Desire and in Death: Eroticism as Politics in Arundhati Roy's 'The God of Small Things'&1xbet online casino ; (59-72)
November
5
Smith, White Teeth
1xbet online casino Pack: Phillips, &1xbet online casino ;Introduction: A Little Luggage&1xbet online casino ; (241-46), &1xbet online casino ;The Pioneers: Fifty Years of Caribbean Migration to Britain&1xbet online casino ; (264-282), &1xbet online casino ;Conclusion: The 'High Anxiety' of Belonging&1xbet online casino ; (309), and &1xbet online casino ;White Teeth by Zadie Smith&1xbet online casino ; (283-87) from A New World Order: Selected Essays; Head, &1xbet online casino ;Zadie Smith's White Teeth: Multiculturalism for the Millennium&1xbet online casino ; (106-119)
12
Pullman, The Golden Compass and The Subtle Knife
Class Pack: &1xbet online casino ;Talking to Philip Pullman&1xbet online casino ;
19
Pullman, The Amber Spyglass
Class Pack: Poole, &1xbet online casino ;Philip Pullman and the Republic of Heaven&1xbet online casino ;; an additional critical essay, TBA.
26

Thanksgiving Break

December 3 Workshop Discussion for Final Papers
F 5 Final Paper (20-25 pp.) and 1xbet bes due to my mailbox in DE122 by 5 p.m.
10 Presentation of Final Papers